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Playdate #1 - Julie B Ceramics

Playdate #1 - Julie B Ceramics

This month, I’m starting something new called Playdate. A little series where I visit maker friends in their studios and share a glimpse into their world. It’s about supporting each other, celebrating good work, and connecting you with the people behind the pieces. And a reason for me to get out and meet like-minded people!

For the first playdate, I visited Julie of Julie B Ceramics.

Her studio feels like piece of makers paradise in the country where shelves filled with playful forms and organic curves. We chatted, laughed, and of course, made some ceramics together!

What I love most about Julie’s work is its warmth and curiosity, but never too serious. Here's our conversation!

Can you tell us a little about Julie B Ceramics and how it all began?

Julie B Ceramics began around 13 years ago when I started experimenting with clay. Although I've always been drawn to making and have worked across a range of mediums, ceramics quickly became the one that stayed with me. My practice is predominantly hand-built (no wheel work), alongside some slip casting. I'm largely self-taught, with a few short courses in the early days helping to build a foundation.

I create both functional ware and sculptural pieces, with a signature style that leans into irregularity as a strength. Humour and optimism run through my work, often accompanied by a slightly surreal edge. I sell work online from my website, and also stock in a few shops, including Pinky's and the Queen Victoria Women's Centre Shop.

What do you love most about working with clay?

I love the 'lost time' effect of making something with my hands. If I have a day in the studio and have no idea where the hours went, I consider that a good day.

I'm very much an intuitive, 'seat-of-the-pants' maker, and I tend to trust the process; I work from a belief that it's actually pretty difficult to go wrong with clay, at least in an aesthetic sense. For me, each piece carries its own inherent character and presence.

The transformative and often unpredictable nature of clay through so many stages (from creation, drying and finishing, through to firing, glazing, and firing again) is so fascinating (if slightly unnerving), so I'd say there's never a dull moment.

What does a typical day in your studio look like?

My studio is a garage out the back of my house, which my partner and I are currently fixing up to be more weather-proof and useable as a studio. Very exciting! Luckily I'm still able to make work amidst the chaos. Studio time involves plenty of cups of tea, listening to podcasts and music, and scribbling in notebooks. There's also a fair amount of staring into space between bursts of activity…an important part of the process.

Do you have a favourite piece you've made recently?

Recently I've been making low-relief tiled works representing sculptural shapes, and this work was featured in an exhibition 'Steps', at Kirsten Perry's gallery OK Violet, a really beautiful space. My mum made the wooden frame; she is a fabulous handy-woman!


What can we look forward to from you this year?

Where to start? I always seem to have more ideas and plans than I have the actual time to realise them! Since moving to Ballarat from Melbourne a couple of years ago, I've found there have been plenty of opportunities and support here through groups and spaces like the Ballarat Clay Collective, Soldiers Hill Artist Collective, Ross Creek Gallery, Creative Ballarat, and the list goes on. I've also just started a sculptural collaboration with fellow ceramicist Pegs Marlow, which is keeping us both very busy! 

I've been really getting into sketching directly onto my work, simple black-line drawings with an underglaze pencil. Much of this is inspired by my longstanding interest in comics and graphic novels, an influence which can be seen in both my surface decoration and sculptural practice.

A major focus this year is transforming the garage studio into a functional, warm (very important in Ballarat!) and inviting space to work in. This will be a huge gamechanger for my practice.

Also, I'm determined to finally make a mug with a truly 'normal' handle this year…time will tell how that goes!